The Law of One Sessions 52: Question 10

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52.10 Questioner: Thank you. Just as something that I am a little inquisitive about, not much importance, but I’d like to make a statement I intuitively see, which may be wrong.

You were speaking of the slingshot effect, and that term has puzzled me.

The only thing I can see is that you must put energy into the craft until it approaches the velocity of light, and this, of course, requires more and more and more energy. The time dilation occurs, and it seems to me that it would be possible to, by moving at 90° to the direction of travel, somehow change this stored energy in its application of direction, or sense, so that you move out of space/time into time/space with a 90° deflection. Then the energy would be taken out in time/space, and you would re-enter space/time at the end of this energy reversal. Am I in any way correct on this?

Ra: I am Ra. You are quite correct as far as your language may take you and, due to your training, more able than we to express the concept. Our only correction, if you will, would be to suggest that the 90° of which you speak are an angle which may best be understood as a portion of a tesseract.*

88.10 Questioner: Our publisher requests pictures for the book, The Law of One, that is going to press at this time.* Would you comment on the advisability, benefit or detriment, magical or otherwise, of us using pictures of this particular setup, the instrument, and the appurtenances in the book?

Ra: I am Ra. The practical advisability of such a project is completely a product of your discrimination. There are magical considerations.

Firstly, if pictures be taken of a working, the visual image must needs be that which is; that is, it is well for you to photograph only an actual working and no sham nor substitution of any material. There shall be no distortions which this group can avoid any more than we would wish distortions in our words.

Secondly, it is inadvisable to photograph the instrument or any portion of the working room while the instrument is in trance. This is a narrow-band contact, and we wish to keep electrical and electromagnetic energies constant when their presence is necessary, and not present at all otherwise.