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40.3 Questioner: Thank you. I was also wondering if the first density corresponded somehow to the colour red, the second to the colour orange, the third to the colour yellow and so on through the densities corresponding to the colours, in perhaps a way so that the basic vibration that forms the photon that forms the core of all atomic particles would have a relationship to that colour in the density. And that that vibration would step up for second, third, and fourth density corresponding to the increase in the vibration of the colours. Is this in any way correct?
Ra: I am Ra. This is more correct than you have stated.
Firstly, you are correct in positing a quantum, if you will, as the nature of each density and further correct in assuming that these quanta may be seen to be of vibratory natures corresponding to colour, as you grasp this word. However, it is also true, as you have suspected but not asked, that each density is of the metaphysical characteristic complex of its ray.
Thus, in first density the red ray is the foundation for all that is to come. In second density the orange ray is that of movement and growth of the individual, this ray striving towards the yellow ray of self-conscious manifestations of a social nature as well as individual; third density being the equivalent, and so forth—each density being primarily its ray plus the attractions of the following ray pulling it forward in evolution and, to some extent, colouring, or shading, the chief colour of that density.
94.3 Questioner: Is there anything that we can do that we are not doing to remedy this situation so that the instrument does not experience this pain or as much of it?
Ra: I am Ra. There is little that can be done due to a complex of pre-existing distortions. The distortions are triple in the source:
There is the, shall we say, less-than-adequate work of your chirurgeons which allows for various distortions in the left wrist area.*
There is the distortion called systemic lupus erythematosus which causes the musculature of the lower left and right arms to allow for distortions in the normal, shall we say, configuration of both.
Lastly, there is the nerve damage, more especially to the left, but in both appendages from the thoracic outlet.
In the course of the waking behaviour the instrument can respond to the various signals which ring the tocsin of pain, thus alerting the mind complex, which in turn moves the physical complex in many and subtle configurations which relieve the various distortions. Your friend greets these distortions, as has been stated before, immediately prior to the beginning of the working.**
However, during the working the instrument is not with its yellow-ray chemical vehicle, and thusly the many small movements which could most effectively aid in the decrease of these distortions is not possible. Ra must carefully examine the mental configurations of the mind complex in order to make even the grossest manipulation. It is not our skill to use a yellow-ray vehicle.
The weight of the cover has some deleterious effect upon these distortions in some cases, and thus we mentioned that there was a small thing which could be done; that is, the framing of that which lifted the coverlet from the body slightly. In order to compensate for loss of warmth the wearing of material warming the manual appendages would then be indicated.
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