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93.24 Questioner: I am assuming that you mean one full question, and I’ll make that question: I’d like to know the significance of the shape of the crux ansata, and if that’s too much of an answer I will just ask if there is anything we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. There are mathematical ratios within this image which may yield informative insights to one fond of riddles. We shall not untangle the riddle.
We may indicate that the crux ansata is a part of the concept complexes of the archetypical mind: the circle indicating the magic of the spirit; the cross indicating that nature of manifestation which may only be valued by the losing. Thus the crux ansata is intended to be seen as an image of the eternal in and through manifestation, and beyond manifestation, through the sacrifice and transformation of that which is manifest.
The support group functions well. The swirling waters experienced by the instrument since our previous working have substantially aided the instrument in its lessening of the distortion of pain.
All is well. The alignments are well guarded.
We leave you, my friends, in the love and the light of the Infinite One. Go forth, therefore, rejoicing in the power and in the peace of the One Infinite and Glorious Creator. Adonai.
2.0 Ra: I am Ra. I greet you in the love and the light of our Infinite Creator. I am with this mind/body/spirit complex which has offered itself for a channel. I communicate with you.
Queries are in order in your projections of mind-distortion at this time/space. Thusly would I assure this group that my own social memory complex has one particular method of communicating with those few who may be able to harmonise their distortions with ours, and that is to respond to queries for information. We are comfortable with this format. May the queries now begin.
95.28 Questioner: Is there anything that we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. We observe some small worsening of the distortions of the dorsal side. This is due to the nature of the beginning use of the swirling waters. The difficulties are physically accentuated as the swirling waters begin to aid the musculature surrounding the nexi of distortions. We encourage the swirling waters and note that complete immersion in them is somewhat more efficacious than the technique now used.
We ask that the support group attempt to aid the instrument in remembering to preserve the physical energies and not expend them upon movements associated with the packing, as you call this activity, and the movement between geographical locations upon your sphere.
The alignments are excellent. All is well.
We leave you glorying in the love and in the light of the One Infinite Creator. Go forth, therefore, rejoicing in the mighty peace of the One Infinite Creator. Adonai.
96.22 Questioner: Is there anything that we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. Continue in harmony, communication, praise, and thanksgiving.
We would note that this instrument’s distortions would be lessened were it to refrain from the speaking to some extent for a diurnal period, or perhaps two, if the difficulty remains. We would also recommend against the activity such as running which would cause rapid respiration.
This after-effect of the greeting is not necessarily long-lasting. However, as this instrument has some blood vessels in the forward regions of the skull—that is, the integument covering the skull—greatly swollen at this time, and since this instrument has the distortion known as the streptococcal infection, it is best to be full of care for a short period in order that the distortions do not catapult the entity into longer-term after-effects.
All is well. We find the alignments satisfactory.
I am Ra. I leave you in the love and light of the Infinite One. Go forth, therefore, rejoicing in the power and in the peace of the One Infinite Creator. Adonai.
97.20 Questioner: It’s not necessary to answer this if you want to end right now for the instrument’s benefit, but is there anything we can do to improve the contact or make the instrument more comfortable?
Ra: I am Ra. All is well. The support group functions well.
It is suggested that the instrument be encouraged to take steps to recover completely from the distortion towards the aching of the throat and, to a lesser extent, the chest. There is no way in which we or you may remove that working which has been done. It simply must be removed by physical recovery of the normal distortion. This is not easy due to this instrument’s tendency towards allergy.
The alignments are being carefully considered.
I am Ra. I leave you, my friends, glorying and rejoicing in the love and the light of the Infinite Creator. Go forth, then, in the great dance, empowered by the peace of the One Infinite Creator. Adonai.
44.17 Questioner: I am sorry that we got a little off the track today. I think the most important thing we accomplished is knowing how to better regulate the instrument’s sessions, and I would hope that you would bear with me for my inability to select questions properly at times, since I just happen, sometimes, to probe into areas to see if there is a possible direction we may go, and once entering, I . . .
Other than that, I would just like to know if there is anything this session that we could do to make the instrument more comfortable or to improve the contact?
Ra: I am Ra. There are no mistakes. Be at rest, my friend. Each of you is most conscientious. All is well.
I leave you in the love and the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and in the peace of the One Infinite Creator. I am Ra. Adonai.
104.26 Questioner: Prior to the veiling process there was, I am assuming, no archetypical plan for the evolutionary process. It was totally left up to the free will of the mind/body/spirits to evolve in any way that they desired. Is this correct?
Ra: I am Ra. No.
I am Ra. We leave you in appreciation of the circumstances of the great illusion in which you now choose to play the pipe and timbrel and move in rhythm. We are also players upon a stage. The stage changes. The acts ring down. The lights come up once again. And throughout the grand illusion, and the following, and the following, there is the undergirding majesty of the One Infinite Creator. All is well. Nothing is lost. Go forth rejoicing in the love and the light, the peace and the power of the One Infinite Creator.
I am Ra. Adonai.
3.0 Ra: I am Ra. I greet you in the love and the light of the One Infinite Creator. I communicate with you now.
4.0 Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. I communicate now.
5.0 Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. I communicate now.
5.3 Questioner: Is the instrument comfortable? Is there any other thing that would increase the instrument’s comfort? That’s all.
Ra: I am Ra. The candle could be rotated clockwise approximately 10° each session to improve the flow of spiralled energy through the being’s receiving mechanisms. This particular configuration is well otherwise. But we ask that the objects described and used be centred with geometric care and checked from time to time. Also that they not be exposed to that space/time in which work is not of importance.
I am Ra. I leave this instrument in the love and light of the One Infinite Creator. Go forth rejoicing in the power and the peace of the One Creator. Adonai.
6.0 Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. I communicate now.
7.0 Ra: I am Ra. I greet you in the love and the light of our Infinite Creator. I communicate now.
7.19 Questioner: We do not wish to overly tyre the instrument. Thank you very much. That was very helpful. We will continue in the next session taking up this point. I believe that I’m beginning to understand the progression. Thank you very much.
Ra: I am Ra. I leave you in the love and the light of the One Infinite Creator. Go forth then rejoicing in the power and the peace of the One Creator. Adonai.
8.0 Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. I communicate now.
8.34 Questioner: Is the censer off with respect to angle or with respect to lateral displacement?
Ra: There is an approximate three degree displacement from proper perpendicularity.
I am Ra. I leave you in the love and the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and the peace of the One Creator. Adonai.
9.0 Ra: I am Ra. I greet you in the love and the light of our Infinite Creator. We communicate now.
9.23 Questioner: We plan to do a second session later today if the instrument is capable, and I’d like to ask if there is anything we can do to aid the instrument’s comfort.
Ra: I am Ra. This instrument will require some adjustment of the tender portions of her body complex. The distortions are due to the energy centre blockage you would call pineal.
I leave you in the love and the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and the peace of the One Creator. Adonai.
10.0 Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. I communicate now.
10.19 Questioner: I was just trying to get to the definition you were using for galaxy. You mentioned them a couple of times and it seemed to me that [inaudible] what you call a galaxy we call a planetary system. Is there any way to make the instrument more comfortable?
Ra: I am Ra. This instrument could be made somewhat more comfortable if more support were given the body complex. Other than this, we can only repeat the request to carefully align the symbols used to facilitate this instrument’s balance. Our contact is narrow-banded and thus the influx brought in with us must be precise.
I am Ra. I leave you in the love and the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and the peace of the One Creator. Adonai.
11.0 Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. I communicate now.
Ra: I am Ra. I leave you in the love and the light of the One Infinite Creator. Go forth, then, rejoicing in the power and the peace of the One Creator. Adonai.
12.0 Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. I communicate now.
12.33 Questioner: Thank you. Is there anything that we can do to make the instrument more comfortable?
Ra: I am Ra. We ask you to realign the object upon which the symbols sit. It is not a significant distortion for one session only, but you will find upon measuring the entire assemblage that the resting place is one point four degrees [1.4°] from the correct alignment, the resting place an additional one-half degree [0.5°] away from proper orientation. Do not concern yourselves overly with this in the space/time nexus present, but do not allow these distortions to remain over a long period or the contact will be gradually impaired.
I am Ra. I leave you in the love and in the light of the One Infinite Creator. Go forth, rejoicing in the power and the peace of the One Creator. Adonai.
13.0 Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. I communicate now.
14.0 Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. We communicate now.
14.34 Questioner: Can you tell me if we are accomplishing our effort reasonably well?
Ra: I am Ra. The Law is One. There are no mistakes.
I am Ra. I leave this instrument in the love and the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and the peace of the One Creator. Adonai.
15.0 Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. I communicate now.
16.0 Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. We communicate now.
16.62 Questioner: Only just to know if the instrument can be any more comfortable?
Ra: I am Ra. This instrument is as comfortable as it is possible for you to make it given the weakness distortions of its body complex. You are conscientious.
I am Ra. I leave you in the love and the light of the One Infinite Creator. Go forth, then, rejoicing in the power and the peace of the One Creator. Adonai.
17.45 Questioner: Just—we want to put heavier clothing on the feet. Is this correct?
Ra: I am Ra. This is correct.
I will leave this instrument now. I leave you in the love and the light of the One Infinite Creator. Adonai.
18.0 Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. We communicate now.
19.0 Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. We communicate now.
19.23 Questioner: The only other question I have, is there anything that we can do to make the instrument more comfortable? And, is it . . . wanted to ask about another session, but I guess it’s too late today. I didn’t realise.
Ra: I am Ra. This instrument is well aligned. You are being very conscientious. We request you take more care in being assured that this instrument is wearing footwear of what you would call sound vibratory complex “shoes.”
I am Ra. I leave you in the love and the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and the peace of the One Creator. Adonai.
20.0 Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. I communicate now.
20.45 Questioner: I intend in the next session to focus on the development of the positively oriented entities in the first 25,000 years. I know that you can’t make suggestions. But this seems to me to be the— I hope that I am going in the right path in investigating the entire development and influences in the history of our third density. Can you give me any comment on this at all?
Ra: I am Ra. The choices are yours according to your discernment.
I am Ra. I leave you in the love and the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and the peace of the One Creator. Adonai.
21.0 Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. We communicate now.
22.0 Ra: I am Ra. I greet you in the love and in the light of the Infinite Creator. I communicate now.
23.0 Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. We communicate now.
24.0 Ra: I am Ra. I greet you in the love and in the light of the Infinite Creator. I communicate now.
24.23 Questioner: Oh, please, I’m almost ready. Is there anything that we can do to make the instrument more comfortable?
Ra: I am Ra. You are conscientious. Be careful only to adjust this instrument’s upper appendages if its upper body is elevated.
I am Ra. All is well. It is our joy to speak with you. We leave in the love and the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and the peace of the One Creator. Adonai.
25.0 Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. We communicate now.
25.12 Questioner: Thank you very much. We do not wish to deplete the instrument, so is there anything that we can do to make the instrument more comfortable?
Ra: I am Ra. You are very conscientious. As we requested previously, it would be well to observe the angles taken by the more upright posture of the entity. It is causing some nerve blockage in the portion of the body complex called the elbows.
I am Ra. I leave you in the love and in the light of the One Infinite Creator. Go forth, then, rejoicing in the power and the peace of the One Creator. Adonai.
26.0 Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. I communicate now.
27.0 Ra: I am Ra. I greet you in the love and the light of the One Infinite Creator. I communicate now.
28.0 Ra: I am Ra. I greet you in the love and the light of the Infinite Creator. I communicate now.
17.0 Ra: I am Ra. I greet you in the love and the light of the Infinite Creator.
Before we communicate by answer, we shall correct an error which we have discovered in the transmission of our information to you. We have difficulty dealing with your time/space. There may again be errors of this type. Feel free to question us that we may recalculate in your time/space measurements.
The error we have discovered concerns one of the arrivals of both the Orion group into your planetary sphere of influence and the corresponding arrival of emissaries of the Confederation. We gave dates of two six oh oh [2,600] years for the Orion entry, two three oh oh [2,300] for Confederation entry. This is incorrect. The recalculation indicates numbers three six oh oh [3,600] for Orion entry, three three oh oh [3,300] for Confederation entry.*
We communicate now.
18.27 Questioner: Not completely. What specifically shall we do for physical balancing?
Ra: I am Ra. One: take care with the foodstuffs. Two: manipulate the physical complex to alleviate the distortion towards physical complex pain. Three: encourage a certain amount of what you would call your exercise. The final injunction: to take special care with the alignments this second session so that the entity may gain as much aid as possible from the various symbols. We suggest you check these symbols most carefully. This entity is slightly misplaced from the proper configuration. Not important at this time. More important when a second session is to be scheduled.
I am Ra. I leave you in the love and the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and the peace of the One Creator. Adonai.
28.21 Questioner: Thank you. And since we are out of time I’ll just ask if there is anything that we can do to make the instrument more comfortable or help the contact?
Ra: I am Ra. This instrument is well adjusted. You are conscientious.
I am Ra. I leave you, my friends, in the love and the light of the One Infinite Creator. Go forth, then, rejoicing in the power and the peace of the One Creator. Adonai.
29.0 Ra: I am Ra. I greet you in the love and in the light of the Infinite Creator. We communicate now.
30.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
30.18 Questioner: Thank you. Is there anything that we can do to make the instrument more comfortable or to improve the contact?
Ra: This instrument is well balanced, and the contact is as it should be. This instrument has certain difficulties of a distortion you would call the muscular spasm, thus making the motionless position uncomfortable. Thus we leave the instrument.
I am Ra. You are doing well, my friends. I leave you in the love and the light of the One Infinite Creator. Go forth, then, rejoicing in the power and the peace of the One Creator. Adonai.
31.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
31.16 Questioner: I just need to know if this then works through the racial memory to infect the entire population in some way. Does that sort of thing happen?
Ra: I am Ra. The racial memory contains all that has been experienced. Thus there is some, shall we say, contamination even of the sexual, this showing mostly in your own culture as the various predispositions to adversary relationships—or, as you call them, marriages—rather than the free giving one to another in the love and the light of the Infinite Creator.
32.0 Ra: I am Ra. I greet you in the love and the light of the One Infinite Creator. We communicate now.
33.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. I communicate now.
21.29 Questioner: I just wanted to apologise for a bit of confusion on my part in carrying on to this second 25,000 years.
I would just like to ask if there is anything I could do to make the instrument more comfortable? We would hope to have a second session later today.
Ra: I am Ra. You may observe a slight misalignment between book, candle, and perpendicularity of censer. This is not significant, but as we have said, the cumulative effects upon this instrument are not well. You are conscientious. It is well to have a second session given the appropriate exercising and manipulation of this instrument’s physical complex.
I am Ra. I leave you in the love and the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and the peace of the One Creator. Adonai.
22.29 Questioner: Is there any way that we can make the instrument more comfortable or anything that we can do for her?
Ra: I am Ra. The instrument is well. It is somewhat less easy to maintain clear contact during a time when some or one of the entities in the circle of working is or are not fully conscious. We request that entities in the circle be aware that their energy is helpful for increasing the vitality of this contact. We thank you for being conscientious in the asking.*
I am Ra. It is a great joy to leave you in the love and the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and the peace of the One Creator. Adonai.
31.17 Questioner: That was precisely the point which I was trying to make. Thank you very much. Not to tyre the instrument, I will just ask, then, if there is anything we can do to make the instrument more comfortable or to improve the contact?
Ra: I am Ra. Please be aware that this instrument is somewhat fatigued. The channel is very clear. However, we find the vital energy low. We do not wish to deplete the instrument. However, there is a, shall we say, energy exchange which we feel an honour/duty to offer when this instrument opens itself. Therefore, counsel we this instrument to attempt to assess the vital energies carefully before offering itself as open channel.
All is well. You are conscientious.
I am Ra. I leave this instrument, and you, in the love and in the light of the One Infinite Creator. Go forth, then, rejoicing in the power and the peace of the One Creator. Adonai.
34.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
34.19 Questioner: Thank you. Then I will just ask if there is anything we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. All is well. We leave you, my friends, in the love and the light of the One which is All in All. I leave you in an ever-lasting peace. Go forth, therefore, rejoicing in the power and the peace of the One Infinite Creator. Adonai.
35.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
35.9 Questioner: If there are any further questions I will ask them in the next period which should occur in about four days. I do not want to overtire the instrument. I will only ask if there is anything that we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. All is well. I leave you, my friends, in the love and the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and the peace of the One Creator. Adonai.
36.0 Ra: I am Ra. I greet you in the love and the light of the One Infinite Creator. We communicate now.
37.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. I communicate now.
38.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
38.15 Questioner: I would just like to know if there is anything that we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. All is well. We leave you in the love and light of the One Infinite Creator. Go forth rejoicing in the power and in the peace of the One Creator. Adonai.
39.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. I communicate now.
39.13 Questioner: I only need to know if there is anything that we can do to make the instrument more comfortable or help the contact?
Ra: I am Ra. You are most conscientious. All is well. I leave you, my friends, in the love and in the light of the One Infinite Creator. Go forth, therefore, rejoicing in the power and in the peace of the One Creator. Adonai.
40.0 Ra: I am Ra. I greet you in the love and in the light of the Infinite Creator. We communicate now.
41.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
42.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
43.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator.
Before we communicate may we request the adjustment, without the touching of this instrument’s physical body complex, of the item which presses upon the instrument’s head. This is causing some interference with our contact.
46.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
47.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
48.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
49.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
50.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
51.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
52.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
53.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
54.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
55.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. I communicate now.
56.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
57.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
58.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
59.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
60.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
61.0 Ra: I am Ra. I greet you, my friends, in the love and in the light of the Infinite Creator. We communicate now.
62.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator.
Before we begin may we request that a circle be walked about this instrument, and let then each of the supporting group expel breath forcibly, approximately two and one-half feet above the instrument’s head, the circle then again being walked about the instrument.
[This was done as directed.]
I am Ra. We appreciate your kind cooperation. Please recheck the alignment of perpendicularity, and we will begin.
[This was done as directed.]
I am Ra. We communicate now.
62.21 Questioner: When the Orion entity who waits us, seeking the opportunity to attack, is with us here, can you describe his method of coming here, what he looks like, and how he waits? I know that this isn’t too important, but it might give me a little insight into what we are talking about.
Ra: I am Ra. Fifth-density entities are very light beings although they do have the type of physical vehicle which you understand. Fifth-density entities are very fair to look upon in your standard of beauty.
The thought is what is sent, for a fifth-density entity is likely to have mastered this technique or discipline. There is little or no means of perceiving such an entity, for unlike fourth-density negative entities the fifth-density entity walks with light feet.
This instrument was aware of extreme coldness in the past diurnal cycle and spent much more time than your normal attitudes would imagine to be appropriate in what seemed to each of you an extremely warm climate. This was not perceived by the instrument, but the drop in subjective temperature is a sign of presence of a negative, or non-positive, or draining entity.
This instrument did mention a feeling of discomfort but was nourished by this group and was able to dismiss it. Had it not been for a random mishap, all would have been well, for you have learned to live in love and light and do not neglect to remember the One Infinite Creator.
62.25 Questioner: Would you tell me what we could do?
Ra: I am Ra. You could cease in your attempts to be channels for the love and the light of the One Infinite Creator.
63.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
64.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
65.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
66.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
67.0 Ra: I am Ra and I greet you in the love and in the light of the One Infinite Creator. I communicate now.
67.21 Questioner: Then we experience in this seeming difficulty the, what I would call, effect of the wisdom of the First Distortion, and for that reason must fully accept the wisdom of that which we experience. This is my personal view. Is it congruent with Ra’s?
Ra: I am Ra. In our view we would perhaps go further in expressing appreciation of this opportunity. This is an intensive opportunity in that it is quite markèd in its effects, both actual and potential, and as it affects the instrument’s distortions towards pain and other difficulties, such as the dizziness, it enables the instrument to continuously choose to serve others and to serve the Creator.
Similarly it offers a continual opportunity for each in the group to express support under more distorted, or difficult, circumstances of the other-self experiencing the brunt, shall we say, of this attack, thus being able to demonstrate the love and light of the Infinite Creator; and, furthermore, choosing working by working to continue to serve as messengers for this information which we attempt to offer and to serve the Creator thereby.
Thus the opportunities are quite noticeable as well as the distortions caused by this circumstance.
67.26 Questioner: Then there is no other service that we can at this time offer that fifth-density entity of the Orion group who is so constantly with us. As I see it now there is nothing that we can do for him from your point of view? Is this correct?
Ra: I am Ra. This is correct. There is great humour in your attempt to be of polarised service to the opposite polarity. There is a natural difficulty in doing so since what you consider service is considered by this entity non-service. As you send this entity love and light and wish it well it loses its polarity and needs to regroup. Thus it would not consider your service as such.
On the other hand, if you allowed it to be of service by removing this instrument from your midst, you might, perhaps, perceive this as not being of service.
You have here a balanced and polarised view of the Creator: two services offered, mutually rejected, and in a state of equilibrium in which free will is preserved and each allowed to go upon its own path of experiencing the One Infinite Creator.
68.0 Ra: I am Ra. I greet you in the love and in the light of the One Infinite Creator. We communicate now.
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