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Questioner: What is its density at present?
Ra: I am Ra. Its core vibrational frequency is sixth density. However we, as a social memory complex, had elected to leave that influence. Therefore, the beings inhabiting this planetary influence at this space/time are fifth-density entities. The planet may be considered a fifth/sixth-density planet.
Questioner: Then did our Logos hope to see generated a positive and negative harvest from each density up to the sixth, starting with the third, as being the most efficient form of generating experience known to It at the time of Its construction of this system of evolution?
Ra: I am Ra. Yes.
Questioner: I assume, then, that twenty-two is the greatest number of archetypes. I’ll also ask what is the minimum number presently in use by any Logos, to Ra’s knowledge?
Ra: I am Ra. The fewest are the two systems of five which are completing the cycles or densities of experience.
You must grasp the idea that the archetypes were not developed at once but step by step, and not in order as you know the order at this space/time, but in various orders. Therefore, the two systems of fives were using two separate ways of viewing the archetypical nature of all experience. Each, of course, used the Matrix, the Potentiator, and the Significator, for this is the harvest with which our creation began.
One way or system of experimentation had added to these the Catalyst and the Experience. Another system, if you will, had added Catalyst and Transformation. In one case the methods whereby experience was processed was further aided, but the fruits of experience less aided. In the second case, the opposite may be seen to be the case.
Questioner: I am assuming that you mean one full question, and I’ll make that question: I’d like to know the significance of the shape of the crux ansata, and if that’s too much of an answer I will just ask if there is anything we can do to make the instrument more comfortable or improve the contact?
Ra: I am Ra. There are mathematical ratios within this image which may yield informative insights to one fond of riddles. We shall not untangle the riddle.
We may indicate that the crux ansata is a part of the concept complexes of the archetypical mind: the circle indicating the magic of the spirit; the cross indicating that nature of manifestation which may only be valued by the losing. Thus the crux ansata is intended to be seen as an image of the eternal in and through manifestation, and beyond manifestation, through the sacrifice and transformation of that which is manifest.
The support group functions well. The swirling waters experienced by the instrument since our previous working have substantially aided the instrument in its lessening of the distortion of pain.
All is well. The alignments are well guarded.
We leave you, my friends, in the love and the light of the Infinite One. Go forth, therefore, rejoicing in the power and in the peace of the One Infinite and Glorious Creator. Adonai.
Questioner: I planned to re-draw the tarot cards eliminating extraneous additions by those who came after Ra’s initial giving. And I would like quickly to go through those things that I intend to eliminate from each card we’ve gone over and ask Ra if there is anything else that should be eliminated to make the cards as they were when they were originally drawn before the astrological and other appendages were added.
I would eliminate all of the letters around the edge of the card with the possible exception of the number of the card: one, two, three, etc. That would be the case for all of the cards, I think—the exterior lettering and numbering.
In Card Number One I would eliminate the star at the upper right hand corner and eliminate the wand in the Magician’s hand. I understand that the sphere remains, but I am not really sure where it should be. Would Ra comment on that please?
Ra: I am Ra. Firstly, the elimination of letters is acceptable.
Secondly, the elimination of stars is acceptable in all cases.
Thirdly, the elimination of the wand is appropriate.
Fourthly, the sphere may be seen to be held by the thumb and index and second finger.
Fifthly, we would note that it is not possible to offer what you may call a pure deck, if you would use this term, of tarot due to the fact that when these images were first drawn there was already distortion in various and sundry ways, mostly cultural.
Sixthly, although it is good to view the images without the astrological additions (it is to be noted that the more general positions, phases, and characteristics of each concept complex are those which are significant), the removal of all distortion is unlikely and, to a great extent, unimportant.
Questioner: Then I was wondering the root reason for the change in appearance that we see as the ageing process? I am trying to uncover a basic philosophical premise here that I may be shooting in the dark at and not questioning on correctly, but I am trying to get at the reason behind the design of this change in appearance when it seems to me that it was just as possible for the mind/body/spirit, or mind/body/spirit complex, just to simply look the same throughout an incarnation. Could Ra explain the reason for this change?
Ra: I am Ra. When the discipline of the personality has led the mind/body/spirit complex into the fifth, and especially the sixth, level of study, it is no longer necessary to build destruction of the physical vehicle into its design, for the spirit complex is so experienced as a shuttle that it is aware when the appropriate degree of intensity of learning and increment of lesson has been achieved.
Within third density, not to build into the physical vehicle its ending would be counterproductive to the mind/body/spirit complexes therein residing; for within the illusion it seems more lovely to be within the illusion than to drop the garment which has carried the mind/body/spirit complex and move on.
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