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Questioner: I don’t know if this question is related to what I am trying to get at or not, but I’ll ask it and see. You mentioned in speaking of the pyramids that the resonating chamber was used so that the adept could meet the self. Would you explain what you meant by that?
Ra: I am Ra. One meets the self in the centre, or deeps, of the being. The so-called resonating chamber may be likened unto the symbology of the burial and resurrection of the body wherein the entity dies to self, and, through this confrontation of apparent loss and realisation of essential gain, is transmuted into a new and risen being.
Questioner: I would like to investigate the mechanism of healing using the crystallised healer. I am going to make a statement, and I would appreciate it if you would correct my thinking.
It seems to me that once the healer has become properly balanced and unblocked with respect to energy centres, it is possible for him to act in some way as a collector and focuser of light the same way that, or analogous to the way that a pyramid works, taking or collecting light through the left hand and emitting it through the right. This then, somehow, penetrating the first and seventh chakra envelope, vibratory envelope, you might say, of the body and allowing for the realignment of energy centres of the entity to be healed.
I’m quite sure that I’m not exactly correct on this and possibly considerably off. Could you rearrange my thinking so that it makes sense?
Ra: I am Ra. You are correct in your assumption that the crystallised healer is analogous to the pyramidal action of the King’s Chamber position. There are a few adjustments we might suggest.
Firstly, the energy which is used is brought into the field complex of the healer by the outstretched hand used in a polarised sense. However, this energy circulates through the various points of energy to the base of the spine and, to a certain extent, the feet; thus coming through the main energy centres of the healer, spiralling through the feet, turning at the red energy centre towards a spiral at the yellow energy centre, and passing through the green energy centre in a microcosm of the King’s Chamber energy configuration of prana. This then continuing for the third spiral through the blue energy centre and being sent therefrom through the gateway back to intelligent infinity.
It is from the green centre that the healing prana moves into the polarised healing right hand and therefrom to the one to be healed.
We may note that there are some who use the yellow-ray configuration to transfer energy, and this may be done, but the effects are questionable—and, with regard to the relationship between the healer, the healing energy, and the seeker, questionable due to the propensity for the seeker to continue requiring such energy transfers without any true healing taking place in the absence of the healer due to the lack of penetration of the armoring shell of which you spoke.
Questioner: Then in seeking healing a mind/body/spirit complex would then be seeking in some cases a source of gathered and focused light energy. This source could be another mind/body/spirit complex sufficiently crystallised for this purpose, or the pyramid shape, or possibly something else. Is this correct?
Ra: I am Ra. These are some of the ways an entity may seek healing. Yes.
Questioner: You mentioned that an energising spiral is emitted from the top of any pyramid, and that you could benefit by placing this under the head for a period of thirty minutes or less. Can you tell me how this third spiral is helpful, and what help it gives the entity who is receiving it?
Ra: I am Ra. There are substances which you may ingest which cause the physical vehicle to experience distortions towards an increase of energy. These substances are crude, working rather roughly upon the body complex, increasing the flow of adrenaline.
The vibration offered by the energising spiral of the pyramid is such that each cell, both in space/time and in time/space, is charged as if hooked to your electricity. The keenness of mind, the physical and sexual energy of body, and the attunement of will of spirit are all touched by this energising influence. It may be used in any of these ways.
It is possible to over-charge a battery, and this is the cause of our cautioning any who use such pyramidal energies to remove the pyramid after a charge has been received.
Questioner: Is there a best material, or optimal size, for the small pyramid to go beneath the head?
Ra: I am Ra. Given that the proportions are such as to develop the spirals in the Giza pyramid, the most appropriate size for use beneath the head is an overall height small enough to make placing it under the cushion of the head a comfortable thing.
Questioner: Now, you mentioned the problems with the action in the King’s Chamber of the Giza-type pyramid. I am assuming if we used the same geometrical configuration that is used at the pyramid at Giza, this would be perfectly all right for the pyramid placed beneath the head since we wouldn’t be using the King’s Chamber radiations but only the third spiral from the top. And I’m also asking would it be better to use a 60° apex angle than the larger apex angle? Would it provide a better energy source?
Ra: I am Ra. For energy through the apex angle, the Giza pyramid offers an excellent model. Simply be sure the pyramid is so small that there is no entity small enough to crawl inside it.
Questioner: With the physical energies depleted completely should I continue with the session? I’m not sure exactly what that means.
Ra: I am Ra. We have available transferred energy which is due to the service offered by two of this group and, therefore, we are able to continue. Were it not for this transferred energy the instrument, whose will is strong, would have depleted its vital energies by willing the available resources.
Thus if there is no transfer of energy, and if the instrument seems depleted to the extent it now is, it is well to refrain from using the instrument. If there is energy transferred, this service may be accepted without damage to the distortion of normal vital energy.
We may note that the physical energy has been exhausted, not due to the distortion toward pain, although this is great at this space/time, but primarily due to the cumulative effects of continual experience of this distortion.
Questioner: Define, please, the unmanifested being.
Ra: I am Ra. We may see that you wish to pursue the deeper stratum of information. We shall, therefore, answer in a certain way which does not exhaust the query but is designed to move beneath the outer teachings somewhat.
The unmanifested being is, as we have said, that being which exists and does its work without reference to, or aid from, other-selves. To move into this concept you may see the inevitable connexion between the unmanifested self and the metaphysical, or time/space, analogue of the space/time self. The activities of meditation, contemplation, and what may be called the internal balancing of thoughts and reactions are those activities of the unmanifested self more closely aligned with the metaphysical self.
Questioner: In invoking the alerted light, then, it would seem to me that the visualisation of the invocation would be dependent upon what the use was to be of the light. The use could be for healing, could be for communication, or it could be for the general awareness, you might say, of the creation and the Creator. Would you please speak on this process and my correctness in making this assumption?
Ra: I am Ra. We shall offer some thoughts, though it is doubtful that we may exhaust this subject. Each visualisation, regardless of the point of the working, begins with some work within the indigo ray. As you may be aware, the ritual which you have begun is completely working within the indigo ray. This is well, for it is the gateway. From this beginning, light may be invoked for communication or for healing.
You may note that in the ritual which we offered you to properly begin the Ra workings the first focus is upon the Creator.
We would further note a point which is both subtile and of some interest.* The upward spiralling light developed in its path by the will, and ultimately reaching an high place of mating with the inward fire of the One Creator, still is only preparation for the work upon the mind/body/spirit which may be done by the adept. There is some crystallisation of the energy centres used during each working so that the magician becomes, more and more, that which it seeks.
More importantly, the time/space mind/body/spirit analogue, which is evoked as the magical personality, has its only opportunity to gain rapidly from the experience of the catalytic action available to the third-density space/time mind/body/spirit. Thus the adept is aiding the Creator greatly by offering great catalyst to a greater portion of the creation which is identified as the mind/body/spirit totality of an entity.
Questioner: The instrument would like to know why twice at the “Benedictus” portion of the music that she practises did she experience what she believes to be a psychic attack?*
Ra: I am Ra. This is not a minor query. We shall first remove the notations which are minor. In the vibrating, which you call singing, of the portion of what this instrument hallows as the Mass, which immediately precedes that which is the chink called the “Hosanna,” there is an amount of physical exertion required that is exhausting to any entity. This portion of which we speak is termed the “Sanctus.” We come now to the matter of interest.
When the entity Jehoshua** decided to return to the location called Jerusalem for the holy days of its people, it turned from work mixing love and wisdom and embraced martyrdom, which is the work of love without wisdom.
The “Hosanna,” as it is termed, and the following “Benedictus,” is that which is the written summation of what was shouted as Jehoshua came into the place of its martyrdom. The general acceptance of this shout—“Hosanna to the son of David! Hosanna in the highest! Blessed is he who comes in the name of the Lord!”—by that which is called the church has been a misstatement of occurrence which has been, perhaps, unfortunate, for it is more distorted than much of the so-called Mass.
There were two factions present to greet Jehoshua, firstly, a small group of those which hoped for an earthly king. However, Jehoshua rode upon an ass stating by its very demeanour that it was no earthly king, and wished no fight with Roman or Sadducee.
The greater number were those which had been instructed by rabbi and elder to make jest of this entity, for those of the hierarchy feared this entity who seemed to be one of them, giving respect to their laws, and then, in their eyes, betraying those time-honoured laws and taking the people with it.
The chink, for this instrument, is this subtle situation which echoes down through your space/time. And, more than this, the place the “Hosanna” holds as the harbinger of that turning to martyrdom.
We may speak only generally here. The instrument did not experience the full force of the greeting which it correctly identified during the “Hosanna” due to the intense concentration necessary to vibrate its portion of that composition. However, the “Benedictus” in this particular rendition of these words is vibrated by one entity. Thus, the instrument relaxed its concentration and was immediately open to the fuller greeting.
Questioner: How was the Orion entity able to act through this linkage of the “Hosanna?” Was this simply because of the mental distortion of the instrument at this period of time, because of that suggested by the music? Or was it a more physical, or more metaphysical link from the time of Christ?
Ra: I am Ra. Firstly, the latter supposition is false: this entity is not linked with the entity, Jehoshua. Secondly, there is a most unique circumstance. There is an entity which has attracted the attention of an Orion light being. This is extremely rare.
This entity has an intense devotion to the teachings and example of the one it calls Jesus. This entity then vibrates in song a most demanding version, called The Mass in B Minor, by Bach, of this exemplary votive complex of sound vibrations. The entity is consciously identifying with each part of this Mass. Only thusly was the chink made available.
As you can see, it is not an ordinary occurrence and would not have happened had any ingredient been left out: exhaustion, bias in belief complexes, attention from an Orion entity, and the metaphysical nature of that particular set of words.
Questioner: I have here a deck of twenty-two tarot cards which have been copied, according to information we have, from the walls of, I would suspect, the large pyramid at Giza. If necessary we can duplicate these cards in the book that we are preparing. I would ask Ra if these cards represent an exact replica of that which is in the Great Pyramid?
Ra: I am Ra. The resemblance is substantial.
Questioner: In other words, you might say that these were better than, say, 95% correct as far as representing what is on the walls of the Great Pyramid?
Ra: I am Ra. Yes.
Questioner: The way I understand this, then: Ra gave these archetypical concepts to the priests of Egypt who then drew them upon the walls of one of the chambers of the Great Pyramid. What was the technique of transmission of this information to the priests? At this time was Ra walking the surface among the Egyptians, or was this done through some form of channelling?
Ra: I am Ra. This was done partially through old teachings and partially through visions.
Questioner: In Card Number Four we will remove the letters around the outside and all of the stars, and it seems that again we have a situation of removing the wand and putting the sphere in the hand. Is that correct?
Ra: I am Ra. Again, this is a matter of choice. Though astrological in nature, this particular sceptre has possibilities of relevancy in the originally intended concept complex.
This instrument is experiencing some small lack of that distortion which you call the proper breathing due to the experience of your near past, as you perceive it. Therefore, as this instrument has requested a substantial enough amount of transferred energy to be retained that it might effect a comfortable re-entry, we shall at this time ask for one more query, after noting the following:
We did not complete our statement upon the dimensions of the crux ansata. It is given in many places. There are decisions to be made as to which drawing of this image is the appropriate one. We may, of course, suggest viewing the so-called Great Pyramid if the puzzle is desired. We do not wish to work this puzzle. It was designed in order that in its own time it be deciphered. In general, of course, this image has the meaning previously stated.*
Questioner: I’m sorry that I am so slow at picking up precisely what we’re getting at here, but I want to be sure we get this right, so I’ll probably ask a few more stupid questions. Was the spasm that caused the extreme pain a spasm of the ileum?
Ra: I am Ra. Partially. The transverse colon also spasmed, as did the ducts to the liver in its lower portion. There were also muscle spasms from the bronchial coverings down through the pelvis and from shoulder blades to hips. These sympathetic spasms are a symptom of the exhaustion of the entity’s physical vehicle.
Ra: I am Ra. The channel is now satisfactory. We find the yellow-ray, chemical body of the instrument to be exhausted but to be attempting the improvement by action such as exercise and diet.
We may state that the infection has not completely left the body complex, although it is far less virulent.
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