The Law of One Search Results for ‘Esmerelda Sweetwater’

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69.20 Questioner: We keep bringing up points out of the Esmerelda Sweetwater book, that being one particularly in the book. I was wondering, in that we were attempting to retrieve the space girl’s mind/body/spirit complex from what must have been negative time/space, as it was placed there by the magician Trostrick: was the scenario of Trostrick’s actions working with the space girl—and in Esmerelda Sweetwater’s magical ritual that she designed to help retrieve the space girl’s mind/body/spirit complex—were both of these techniques approximately reasonable? Or were there any errors in the design of these magical techniques?

Ra: I am Ra. There were no errors. We only remind each that this particular character imaged forth by you was an experienced adept.

67.16 Questioner: Are you familiar with a book that the instrument and I wrote approximately twelve years ago called The Crucifixion Of Esmerelda Sweetwater, in particular the banishing ritual used to bring the entities to Earth?

Ra: I am Ra. This is correct.

68.13 Questioner: We have been speaking almost precisely of the portion of the Esmerelda Sweetwater book which we wrote having to do with Trostrick’s misplacement of the space girl’s mind/body/spirit complex. What is the significance of that work that we did with respect to our lives? It has been confusing to me for some time how that meshes in. Can you tell me that?

Ra: I am Ra. We scan each and find we may speak.

69.21 Questioner: You mean the character Trostrick?

Ra: I am Ra. This is incorrect. We referred to Esmerelda, as this imagined entity was called.

We may note that long practise at the art which each intuits here would be helpful. We cannot speak of methodology, for the infringement would be most great. However, to speak of group efforts is, as we scan each, merely confirmation of what is known. Therefore, this we may do.

We have the available energy for one fairly brief query.

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Questions? Comments? Email me: tw at law of one dot info.

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